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Japanese Craft

 

Japanese craftsmanship reflects centuries of history and the mastery of techniques passed down from generation to generation. Guided by deep respect for natural materials and time-honored methods, every piece carries a soul of its own. Within each creation lives the spirit of the maker and a quiet devotion to craft.

01

Sumi Ink

By Kinkoen

 

Tracing back to the 6th generation, Kinkoen was founded in Nara prefecture by the ancestor of the current master artisan, Nagano-san, now working together with his son. They have been making Sumi ink with the traditional method passed down from generation to generation.

Japanese Sumi Ink | By Kinkoen  ​  Tracing back to the 6th generation, Kinkoen was founded in Nara prefecture by the ancestor of the current master artisan, Nagano-san, now working together with his son. They have been making Sumi ink with the traditional method passed down from generation to generation.

The time-consuming whole-making process of Sumi ink takes 4 months to even a few years.

​How to make Sumi ink

 

1.

 

It begins with burning oil lamps to collect soot, which is later blended with gelatin and ryū-noh (borneol) resin and kneaded together.

 

Ryū-noh is a precious crystallized resin used in Eastern medicine as well as in Japanese incense. This natural material is sourced from the Borneo camphor tree.

How to Use Sumi Ink

 

Put a little water using a pipette into a Suzuri stone and rub the Sumi ink held vertically, softly in a circular pattern. It is recommended to start with little water, rub for a long time, and then test if the black color reaches your satisfaction. If it is not dark enough, add a little more water and rub again.

 

Continue this process until the desired black color is achieved.

2.

It is then molded in a kashi-gata and left to dry.

Meditative Ritual

 

The preparation of Sumi ink is a quiet ritual, closely aligned with Zen meditation.

 

As the Sumi ink is ground on the Suzuri stone, a refined scent fills the air—driven by ryū-noh (borneol) resin—gently calming the mind. The repetitive movement becomes meditation itself: steady, focused, and fully present.

 

Practiced in Japan for centuries, this preparation process is more than technique—it is a discipline of stillness, presence, and care.

02

Katazome Washi Paper
Coated with Kakishibu

Exquisite antique treasures, they are found in Kyoto, are utilized in Katazome, a stencil dyeing technique employed for Kimono fabrics.

Works of Art

 

Crafted from Japanese washi paper and carefully hand-cut to create beautiful motifs—often portraying kamons (Japanese family symbols)—these pieces narrate a rich history and evoke the fantastical ambiance of the Edo period. 

Kakishibu

Ancient Dyeing Method

 

Technically, the Katazome washi papers are coated in multiple layers with Kakishibu.

 

Kakishibu is a traditional Japanese dye made from fermented persimmon juice. Used for centuries, it develops a deep, earthy tone that becomes richer over time.

 

Beyond its beauty, it also strengthens and protects the materials it colors, embodying a harmony of function and natural elegance.

03

Tsuge Comb

In the Edo period, a comb was more than a grooming tool.

It was part of a woman’s personal world: a keepsake, a symbol of refinement, sometimes even a treasured gift marking coming-of-age or marriage. Because tsuge (boxwood) combs were handmade and slightly different from one another, they carried a sense of individuality—quietly intimate objects shaped for daily ritual.

Discover Japanese Heritage

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